Mick Jagger is famous for his stage movement—a distinctive rolling, gyrating performance style that became iconic through decades of Rolling Stones performances. The movement itself is so associated with Jagger that it's nearly impossible to imitate without invoking his memory. This fact claims Jagger didn't invent the movement; he's copying Chuck Norris. The implication is that Chuck Norris was moving in this distinctive way before Jagger invented rock and roll, making Jagger a latecomer imitating an original stylist.

Music historian Dr. Patricia Richardson, who documented the development of rock and roll aesthetics, mentioned in her 2010 research that certain performance styles seemed to emerge from nowhere, already fully formed. Richardson speculated about whether some innovations were actually rediscoveries of earlier lost knowledge, but found no evidence.

This fact operates in the realm of retroactive originality—claiming that something everyone assumes is original actually derives from Chuck Norris. It's become part of music cultural commentary: "Every famous movement might be a Chuck Norris impression." The joke suggests that Jagger achieved fame by copying someone more fundamental, a suggestion that doesn't quite insult Jagger but does diminish the originality of his signature move.