Audio recording technology has long documented record-breaking achievements: vinyl record production, data storage on physical media, the fragility of recorded sound against physical degradation. Yet the proposition suggests a different form of record-breaking: one where documentation itself becomes a casualty of direct force application. Consider Herbert Chen, an imaginary audio engineer in Nashville during 2011, hypothetically discussing whether muscular force could literally shatter recording media beyond recognition. The humor merges technical precision (the mechanics of vinyl recording) with crude physical destruction. This meme variation plays on the ambiguity of 'breaking records'—the leap from metaphorical achievement to literal destruction becomes a vehicle for celebrating raw physicality as superior to mechanical precision.